So the guys, Sean Platt and Jounny B. Truant, are “steaming” along with their ideas for their 30 day novel and the process is FASCINATING. Getting to sit on their story meetings has given me some valuable insights into a working method for collaborators that could really help writers pump out the kind of volume the guys have been pumping out.
For the first three days they threw around a lot of different ideas based on the Steampunk genre. They’ve already written and discarded tons of words.
They worked hard to come up with a world for the characters to live in and a story line that they would both be excited to keep exploring. This process is difficult enough when you are working in private, but adding the stressful element of everyone watching has to be affecting the guys in some way. They do discuss how strange it is and how aware they are that people are watching, even incorporating it into the story idea. It will be interesting to hear them talk more about this as they move forward.
They’ve also been posting their pages. As of today we’ve seen emails, beats, and a first draft of Chapter One. You can check out where they are in the process by visiting FICTION UNBOXED. There are some FREE levels you can still take part in.
Here are a few take-aways from the past few days:
Discipline is key to getting this accomplished, what the guys call “ass in chair” time. Agreed.
When talking about their protagonist Johnny B. Truant said, “You can’t desire something you don’t want and you can’t want something if it’s too easy to get.” I think that’s really good advice for creating a character your readers want to follow. Give them something they want more than anything else and make it REALLY hard for them to get.
While trying to figure out the beats, the guys discussed how they wanted to find the story that is true to them. They used a great term while describing themselves – genre agnostic – and said that no matter the genre, “our voice is what matters.”
As they work, there is not a lot of changing the other person’s ideas by saying “how about this instead.” What they do is ask a lot of questions about WHY the world works or doesn’t work as they are creating it. They also say, “I like that ” a lot and then riff off of the given circumstances they are creating for the characters to live into. You can see why they are a great team by how they communicate their ideas to each other.
At one point Sean Platt says he talks to his wife, Cindy, about the ideas and immediately feels like he can expand on it, this happens for me as well. It seems that if you start telling the story to someone else and get caught up in it yourself, that can be a really good sign that you are headed in the right direction.
They continue to spin the story out as they go along and keep comparing it to other stories and tropes, mixing and mashing them up into new combinations. “Good writers borrow, great writers steal!” (this quote and versions of it is attributed to various people: Oscar Wilde, Pablo Picasso, T.S. Elliot, Austin Kleon even Steve Jobs)
They keep talking about what they like, “I like this, I love this, I want to get that” and they laugh and curse and make fun of their own ideas and get excited about them as well. It’s strange to watch because it is very similar to the process that goes on in my head.
The last quote for the day that I’d like to leave you with is “Our hero has this itch that she can’t scratch for her entire life.”
This is brilliant because if we build characters that have something they have a deep longing to accomplish or solve or acquire, we as an audience will want to go on the journey with them.
This experience is just like that, too.
The guys have a deep longing, or itch, to get this book done in 30 days and we are following along on their journey fascinated by how difficult it is and wanting to know what their process is and if they are going to accomplish it, even though we know they will (but do we?). We started with nothing and by the end of this journey we will have watched them build a whole new world with all of its bumps and bruises and false starts and unknowns. In some way, watching them do it, can give us permission to do it too.
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